Category Archives: painting

August-September 2010 WIPs, Deathdancer II

I spent some time working on the VOR deathdancer this evening.  My original intent was to use this model as the basis for an experiment in three-tone opaque painting, but in the process I’ve developed a greater appreciation for the sculpt.  I’m using all my powers for this one.  Anyway, here’s an update; this will take longer to finish than planned, hopefully for the better.

WIPs, August-September 2010 update 2

Pit-Road's 1/700 KV-II Gigants

These are 1/700th-scale KV-2 tanks made by Pit-Road.  I still need to clean up the edges of the bases, but for now I’m calling these done.

Be sure to click the picture to see a much larger image, and Enjoy!

WIPs, August-September 2010 update 1

A couple photos of my progress on the Deathdancer:

WIPs, August-September 2010

Featured below is the start of a number of projects I’ll be working on in my spare time (very limited at the moment) over the coming month.  The paint jobs for all of these will be extremely simple, excluding the Bronze Age troll and Anakron’s zombie bust, both of which I will give their due.  You can track my progress on these projects here, over at DragonPainting.net, or both.

GHQ KV-1 circa 1940 with appliqué armour and Pit Road's KV-2 (large turret)

Vor Zykhee Deathdancer

Mid-Nor conversion

Bronze Age, troll 1

Pit Road 1/700th scale tanks on their future scenic bases.

Line up, pre-gesso

Line up, post-gesso. I haven't finished prepping everything, yet.

.

Studio McVey’s Pan – DP forum duel entry

This is my entry for the recent painting duel sponsored by the Dragon Painting forum.  You can see some tremendous expressions of talent in the work from four other participants (and vote if you’re a member) in this thread.

For more information on Studio McVey products and efforts, visit their store for a growing line of beautiful miniatures and their blog for announcements and inspirational hobby tips.

I wanted the base to look like the forest floor of the redwood forests of California, and used the colors and foliage in the photo below as a guide.  In retrospect I probably should have brightened things up more and added more detritus, but I’m generally pleased with the results.

I’ve experienced problems with capillary creep when using Realistic Water produced by Woodland Scenics, and decided to try clear epoxy.  My plan was to do about ten thin layers, each of which would get a thin wash of light green before applying the next layer.  This would produce, I hoped, the desired look of soupy still water with algae in full bloom.  Unfortunately, I didn’t have time for this, and only was able to apply three layers.  The effect, as a result, is lost.  There’s always next time.

You can find a great tutorial about using clear epoxy for water here.

Finally, for those of you who are interested, my painting formula for this piece.

BASE

Stone

  • Base with VGC 062 Earth
  • Thorough wash with VMC 822 German Cam. Black Brown
  • Successive dry brushes starting with VMC 876 Brown Sand
  • Second dry brush with VGC 063 Desert Yellow
  • Third dry brush with VMC 061 Khaki

Earth

  • Base with GW Brown Ink
  • Successive dry brushes starting with VMC 988 Khaki
  • Second dry brush with VMC 884 Stone Grey
  • Bring it back down with a wash of VMC 822 German Cam. Black Brown

Tree trunk

  • Base with VGC 044 Dark Fleshtone
  • Thorough wash with VMC 822 German Cam. Black Brown
  • Three successive dry brushes starting with VMC 044 Dark Fleshtone
  • Next dry brush is with VMC 043 Beasty Brown
  • Third dry brush is a lichen effect with a mix of VMC 907 Pale Greyblue + VMC 833 German Cam. Bright Green

Tree trunk rings

  • Base with VGC 042 Parasite Brown
  • Thorough wash with VMC 822 German Cam. Black Brown
  • Selective highlights first with VMC 043 Beasty Brown followed by VMC 061 Khaki
  • Take this down so that the recesses are darker, and bring it back up with more VGC 042 Parasite Brown + the same brightened with Bonewhite or Khaki.

Mushrooms

  • Base with VGC 034 Bonewhite
  • Wash the underside with VMC 905 US Bluegrey Pale
  • The top is a transmission mix of VGC 042 Parasite Brown + WFT Citadel Colour Golden Yellow, taking care to leave the very outer edge of the mushrooms pure Bonewhite

Ferns

  • Paint underside with VGC 028 Dark Green
  • Paint top with VGC 030 Goblin Green

Water

  • Base with VGC 027 Scurf Green + VGC 051 Black
  • Fill with three layers of clear epoxy, washing each layer (except the top) with VGC 027 Scurf Green the VGC 029 Sick Green

Moss

  • VGC 067 Cayman Green
  • VGC 067 Cayman Green + VGC 006 Sunblast Yellow, bringing it almost up to pure yellow
  • Highlight with VGC Scorpy Green

PAN

Hooves

  • Base with VMC 822 German Cam. Black Brown, being careful to leave just the tips of the hooves untouched so that the primer remains
  • Wash the hooves near the roots with VGC 051 Black
  • Base the tips with VGC 062 Earth, blend toward the roots
  • Blend between the brown main parts and tips with VMC 822 German Cam. Black Brown

Horns

  • Base with VGC 061 Khaki
  • Wash with a combination of VGC 045 Charred Brown + VMC 994 Dark Grey
  • Wash again with a combination of VMC 822 German Cam. Black Brown and VMC 862 Black Grey
  • Drybrush very delicately with VGC 062 Earth
  • Drybrush again with VGC 061 Khaki
  • Tone down the highlights where necessary with a drybrush of VGC 062 Earth

Hair

  • Base with VGC 045 Charred Brown
  • Wash once with VMC 822 German Cam. Black Brown
  • Wash the recesses with VMC 822 German Cam. Black Brown + VGC 051 Black
  • Wash deepest recesses with pure VGC 051 Black
  • Drybrush with a combination of VGC 045 Charred Brown + VGC 062 Earth
  • Drybrush with pure VGC 062 Earth
  • Drybrush with a combination of VGC 062 Earth + VGC 061 Khaki

Hair beads

  • Base with VGC 019 Night Blue
  • Highlight with VGC 048 Sombre Grey

Skin

  • Base with VGC 062 Earth
  • Highlight with VMC 876 Brown Sand
  • Highlight next with VMC 041 Dwarf Skin
  • Final highlight with VMC 061 Khaki
  • Work back down with VMC 041 Dwarf Skin to smooth the transitions

Fingernails

  • Base with VGC 062 Earth
  • Wash with VGC 045 Charred Brown
  • Paint the tips with VGC 062 Earth, blend toward the roots

Inside of mouth and teeth

  • Base with VGC 012 Scar Red
  • Wash with VMC 822 German Cam Black Brown
  • Paint teeth first with VGC 062 Khaki
  • Highlight teeth with VGC 034 Bonewhite

Lips

  • Thin application of VGC 066 Tan over the base coat of VGC 062 Earth

Eyes

  • Apply a general wash to the area with VMC 822 German Cam Black Brown
  • Base the inside with VGC 012 Scar Red
  • Paint the whites of the eye with VGC 034 Bonewhite taking care to cover most of the red
  • Paint the iris with VGC 045 Charred Brown
  • Paint the pupil with VGC 051 Black
  • Add a highlight dot with VGC 001 Dead White

Ears

  • Base with VGC 062 Earth
  • Wash recesses with VMC 822 German Cam Black Brown
  • Highlight with VGC 066 Tan
  • Final highlight with VGC 041 Dwarf Skin

Leather straps

  • Base with VGC 045 Charred Brown
  • Wash with VMC 822 German Cam Black Brown
  • Highlight with a mix of VGC 045 Charred Brown + VGC 050 Cold Grey

Flute

  • Base with a mix of VMC 833 German Cam. Bright Green + VGC 040 Cobra Leather
  • Wash with VGC 045 Charred Brown
  • Work back up with the base coat
  • Highlight with VGC 063 Desert Yellow
  • Highlight again with VGC 061 Khaki
  • Paint the whole area of the strap designed with alternating triangles VGC 034 Bone White
  • Pick out individual triangles on one side with VGC 030 Goblin Green then VGC 031 Camouflage Green

Necklace and earring

  • Base the beaded chain with VGC 045 Charred Brown
  • Medallion and necklace are based with VGC 040 Cobra Leather
  • Medallion and necklace are highlighted first with VGC 038 Scrofulous Brown
  • Final highlights with VGC 049 Stonewall Grey
  • Inside of the medallion is straight VGC 051 Black and VGC 034 Bonewhite
  • Wash the beaded chain with VMC 822 German Cam Black Brown
  • Randomly dot beads with either VGC 038 Scrofulous Brown, VGC 040 Cobra Leather, VGC 042 Parasite Brown, or VGC 044 Dark Fleshtone

Bracelet 1

  • Base with VGC 040 Cobra Leather
  • Highlight first with VGC 038 Scrofulous Brown
  • Highlight again with a mix of VGC 038 Scrofulous Brown + VGC 061 Khaki
  • Highlights with VGC 049 Stonewall Grey

Bracelet 2

  • Base with VGC 045 Charred Brown
  • Highlight with VGC 044 Dark Fleshtone
  • Highlight again with a mix of VGC 044 Dark Fleshtone + VGC 061 Khaki

Scythe handle

  • Base with VGC 043 Beasty Brown
  • Wash thoroughly with VMC 822 German Cam. Black Brown
  • Highlight raised areas first with VGC 062 Earth
  • Highlight edges with a mix of VGC 062 Earth + VGC 050 Cold Grey

Scythe blade and ring fasteners

Base with VGC 050 Cold Grey

Dark regions with VMC 994 Dark Grey

Highlights with VGC 049 Stonewall Grey

SPRITE

Skin

  • Base with VGC 028 Dark Green
  • Wash with VGC 027 Scurf Green
  • Highlight with VGC 026 Jade Green
  • Highlight further with VGC 025 Foul Green
  • Blend with initial wash, VGC 027 Scurf Green

Hair

  • Base with VGC 042 Parasite Brown
  • Wash with VGC 045 Charred Brown
  • Bring back up with VGC 042 Parasite Brown
  • Highlight with VGC 008 Orange Fire
  • Highlight again with a mix of VGC 008 Orange Fire + VGC 034 Bonewhite

Wings

  • Base with VGC 047 Wolf Grey
  • Add very light washes of VGC 024 Falcon Turquoise and VGC 013 Squid Pink
  • Add a dab of VGC 024 Falcon Turquoise wash to the base area and underside of the top of the wings.
  • Highlight selectively with pure VGC 001 Dead White

DP Painting Contest, Studio McVey’s Pan

Submission deadline is 31 May 2010.  More information is available over at the DP forum in this thread.

“Painting lots of 1980s figures without going mad”

I try not to harvest other people’s work from the forums too much, but there’s one thread over at Frothers that I keep returning to, and I’d really like to share.  It’s by kingofdaveness (wonderful name, by the way), and features some painted samples of his Citadel miniatures in a style that is clean, simple, and highly effective.  The thread is packed with some great tips on painting, too, so be sure to take your time reading it.  And enjoy the eye candy!

Citadel miniatures painted by the talented kingofdaveness

Andrea Paint System, MTSC tutorial

I’ve been convinced by my friend Anakron, an extremely talented painter and sculptor based in France,  to give Andrea paints a try.  I purchased the black and white sets a while back, and recently acquired the blue and flesh sets, but haven’t had a chance to work with them enough to definitively make them my primary paints yet.  In the meantime, I’ve been exploring what reviews I can find on the Net, and recently came across reference to a great tutorial series on YouTube in a post on Befreiungskriege 1813-14.  If you’re considering switching to Andrea paints, or just giving a set or two a try, the videos are definitely worth watching.

From the Michigan Toy Soldier Company‘s YouTube page:

In this series of videos by Michigan Toy Soldier’s Dave Youngquist we will show you how to paint a miniature using the Andrea Miniatures acrylic paint set system. Volume 1 is an introduction to the various sets and colors currently available. The figure that will be used in this demonstration is a 1/10th scale resin bust of The Red Baron also produced by Andrea Miniatures.

The MTSC YouTube page has lots of other informative videos that are worth checking out, so be sure to explore their offerings.

I hope this helps!

Koren the Chosen, finished

I finished Koren (left) last night.  It was a much longer process than I anticipated, but mainly because I got distracted by some other projects at the midway point.

I’ll need to upload some better pictures soon, but for now I hope these suffice to demonstrate the direction I went with this model.

Andrea Color, flesh paint set

I received the Flesh Paint Set by Andrea in the post this morning, and am eager to put it to good use.  I’ve got the white and black sets, too, but have experimented with them only a bit.  A recent comment in the DP forum by the extremely talented Anakron encouraged me to get some more Andrea paints and take them out for a worthy test drive.  Expect a review from me on all three sets in my possession (black, white, and flesh) and my general impressions on working with Andrea’s new paint formula.

Andrea's Flesh Paint Set comes with six 17ml bottles of paint and an instruction booklet

Koren, last WIP update

Here’s where things stand as of last night (I’m taking this evening off).

I almost made a complete mess of the sash around his waist, and still need to fix some things here and there; but for the most part that is done.

I still need to finish the axe (saving that for last), base, buckles (bull heads x3), straps, and cape.  He’ll be done on Friday, I think, Saturday at the latest (since I’m taking the night off).

You can see the mess I need to clean up on the sash in this photo.


Koren, almost done

Koren up close

I’m almost done with Koren.  I was supposed to have this finished yesterday as part of a Rackham tribute over at Dragon Painting, but got distracted for too long by all my other projects.  I wanted to share some WIPs, but none of the pictures turned out well enough to upload here.

While investigating the photos using the zoom function, I realized that many of the details I added to his face are nearly imperceptible to the naked eye.  The reddish touches I added under the eyes, for example.

Koren should be done in a few days.  I’ll wait until then to upload more pictures of him.

Corvus Belli Libyan Spearmen, second stand done

I finished this stand of Libyans a couple nights ago, and hope to have the third done soon.  I gave the two on the right eyes, because I was in that sort of mood.

Libyan spearmen by Corvus Belli

Corvus Belli Libyan Spearmen, a start

My goal was to finish a stand of Libyan spearmen for my Corvus Belli DBA Later Carthaginian army today, but it’s not going to happen.  I finished two models (see photo below) and got a good start on the other two, but I want to move on to other projects with what remains of the day.  Saturday is the only day of the week I get to paint most of the day, and I need to make the best of it.  I plan to finish the evening painting Grenadier goblins.  Nice and simple.

Libyan Spearmen, WIP

My Later Carthaginian army to date

Copplestone City Guard, update

For those of you following this site for my 10mm Middle-earth project, I want to assure you that despite my interest in other things the project is not dead.  Case in point, my Copplestone City Guard.  I have one stand finished, and six more will follow very shortly.  The only thing left to do on these six stands is the shield insignia.  I’m doing these by hand, so the process is slow and tedious.  But I prefer this method to transfers, and will press ahead.  Once these are done, I’ll be halfway done with the City Guard spearmen.  The others, fortunately, are half finished and shouldn’t take too long.  I’m looking forward to having these out of my queue, as I’m eager to finish the Rohan Royal Guard cavalry.